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  2. Reed (mouthpiece) - Wikipedia

    en.wikipedia.org/wiki/Reed_(mouthpiece)

    The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds , where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort.

  3. Clarinet - Wikipedia

    en.wikipedia.org/wiki/Clarinet

    The clarinet is a single-reed musical instrument in the woodwind family, ... Adjustments in the strength and shape of the embouchure change the tone and intonation ...

  4. Vandoren - Wikipedia

    en.wikipedia.org/wiki/Vandoren

    These strengths do not correspond to those of Vandoren traditional reeds (a strength 4 V.12 has a similar hardness to a strength 3.5 traditional reed). The V12 reed produces a darker tone than the traditional reed. The 56 rue Lepic reeds (black packaging) are named after the address of the Vandoren central offices on 56 rue Lepic, Paris.

  5. Embouchure - Wikipedia

    en.wikipedia.org/wiki/Embouchure

    The standard embouchures for single reed woodwinds like the clarinet and saxophone are variants of the single lip embouchure, formed by resting the reed upon the bottom lip, which rests on the teeth and is supported by the chin muscles and the buccinator muscles on the sides of the mouth. The top teeth rest on top of the mouthpiece.

  6. List of clarinet makers - Wikipedia

    en.wikipedia.org/wiki/List_of_clarinet_makers

    Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G

  7. Alto clarinet - Wikipedia

    en.wikipedia.org/wiki/Alto_clarinet

    The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]