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Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm ...
Cactus: Lust, sex Cactus flower: 赤 椿: Aka Tsubaki: Camellia (red) In love, perishing with grace Camellia japonica: 黄色い椿: Kiiroi Tsubaki: Camellia (yellow) Longing Camellia japonica alba pena: 白椿: Shiro Tsubaki: Camellia (white) Waiting Camellia japonica nobilissima: 黒百合: Kuroyuri: Fritillaria camschatcensis: Love, curse ...
Moreover, the original meanings of the symbols were different in numerous ways. The eagle was a representation of the sun god Huitzilopochtli, who was very important, as the Mexicas referred to themselves as the "People of the Sun". The cactus (Opuntia ficus-indica), full of its fruits, called nōchtli in Nahuatl, represents the island of ...
Succulent plants have thickened stems, or leaves, such as this Aloe. In botany, succulent plants, also known as succulents, are plants with parts that are thickened, fleshy, and engorged, usually to retain water in arid climates or soil conditions. The word succulent comes from the Latin word sucus, meaning "juice" or "sap". [1]
Bird meanings and symbolism are open to wide interpretation and can vary across cultures and traditions. Popularly, owls are associated with wisdom, and doves are widely associated with peace.
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
In eastern India and Bangladesh, plumeria is traditionally considered as a variety of the champak flower, the golok chapa, meaning the champaka that resides in the heavenly home of Sri Krishna, a Hindu god at the highest realm of heaven. In Sri Lanka it is known as "Araliya" or "Temple Flower".