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Millennium Actress was favorably received by critics, gaining a 93% "fresh" rating at Rotten Tomatoes. [24] Los Angeles Times critic Kenneth Turan said of the film "as a rumination on the place movies have in our personal and collective subconscious, Millennium Actress fascinatingly goes where films have not often gone before". [25]
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In the near future, a newly created device called the DC Mini allows users to view people's dreams. The head of the team working on this treatment, Dr. Atsuko Chiba, begins using the machine illegally to help psychiatric patients outside the research facility by assuming her dream world alter-ego, a detective named Paprika.
Millennium is a 1989 science fiction drama film directed by Michael Anderson and starring Kris Kristofferson, Cheryl Ladd, Robert Joy, Brent Carver, Al Waxman and Daniel J. Travanti. The film follows an air crash investigator who discovers curiously strange details while investigating a recent crash.
Noomi Rapace (Swedish: [ˈnǒːmɪ raˈpasː] ⓘ; [1] née Norén; born 28 December 1979) is a Swedish actress. [2] She achieved international fame with her portrayal of Lisbeth Salander in the Swedish film adaptations of the Millennium series (2009): The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornets' Nest.
In the panned sequel to the 2018 DC Comics movie "Aquaman," Kidman returns as Atlanna, Aquaman's mother and the former queen of Atlantis. One critic said the movie "spectacularly misfires." Rotten ...
Review aggregation website Rotten Tomatoes gave the film a score of 53% based on 125 reviews, with an average score of 5.8/10, the consensus being, "Slow and mostly devoid of the stellar chemistry between its two leads, The Girl Who Kicked the Hornets' Nest is a disappointingly uneven conclusion to the Millennium trilogy." [6]
Metropolis received highly positive reviews: based on 67 reviews from Rotten Tomatoes, Metropolis received an overall 87% approval rating, with an average rating of 7.30/10. The site's critical consensus states that "A remarkable technical achievement, Metropolis' eye-popping visuals more than compensate for its relatively routine story."