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George Dawe's Genevieve (from the poem Love by Coleridge), 1812 . This poem was first published (with four preliminary and three concluding stanzas) as the Introduction to the Tale of the Dark Ladie, in the Morning Post, on 21 December 1799: included (as Love) in the Lyrical Ballads of 1800, 1802, 1805: reprinted with the text of the Morning Post in English Minstrelsy, 1810, with the following ...
A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796 [Note 9] Monody on the Death of Chatterton. "O what a wonder seems the fear of death," 1790-1834 1794 The Destiny of Nations. A Vision "Auspicious Reverence! Hush all meaner song," 1796 1817 Ver Perpetuum. Fragment from an ...
Samuel Taylor Coleridge's daughter Sara Coleridge – 1830. Portrait by Richard James Lane. It was at Sockburn that Coleridge wrote his ballad-poem Love, addressed to Sara Hutchinson. The knight mentioned is the mailed figure on the Conyers tomb in ruined Sockburn church.
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature. [2]
The conversation poems are a group of at least eight poems composed by Samuel Taylor Coleridge (1772–1834) between 1795 and 1807. Each details a particular life experience which led to the poet's examination of nature and the role of poetry.
The Eolian Harp is a poem written by Samuel Taylor Coleridge in 1795 and published in his 1796 poetry collection. It is one of the early conversation poems and discusses Coleridge's anticipation of a marriage with Sara Fricker along with the pleasure of conjugal love.
In a manuscript list (undated) of the poems drawn up by Coleridge appear these items together: Love 96 lines … The Black Ladié 190 lines." [2] A MS. of the three last stanzas is extant. In Chapter XIV of the Biographia Literaria, Coleridge synchronizes the Dark Ladié (a poem which he was 'preparing' with the Christabel). [3]