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Qi was described as straight, [1] cheng was likened to a mortar, zhuan was described change, and he is likened to a deep pond or overflowing river which helps one reflect on the meaning. [1] The rhetorical style started out as poetry. This later influenced pianwen and guwento and eventually created the baguwen aka the eight-legged essay. [1]
In rejecting wholesale Westernization the essay “demands a place for Chinese cultural values on the world stage.” [4] The essay declares a new, proper manner in which to pursue the study of Sinology and explains Chinese culture from an experience viewpoint instead of an academic one.
This was a major argument in favor of the eight-legged essay, arguing that it were better to eliminate creative art in favor of prosaic literacy. In the history of Chinese literature, the eight-legged essay is often accused by later Chinese critics to have caused China's "cultural stagnation and economic backwardness" in the 19th century. [1] [2]
Sinocentrism refers to a worldview that China is the cultural, political, or economic center of the world. [1] Sinocentrism was a core concept in various Chinese dynasties. The Chinese considered themselves to be "all-under-Heaven", ruled by the emperor, known as Son of Heaven. Those that lived outside of the Huaxia were regarded as "barbarians".
The Romantic Generation of Modern Chinese Writers. Harvard University Press, 1973. Levan, Valerie. “The Meaning of Foreign Text in Yu Dafu’s “Sinking” Collection”. Modern Chinese Literature and Culture, 2012. Ng, Janet. Autobiography in Modern Chinese Literature (1911-1950): Forms of Literary Expression of the Self in Society. 1993 ...
It is the first Chinese film that had its foreign distribution rights pre-sold. [6] Furthermore, To Live brought home the Grand Prix , Prize of the Ecumenical Jury , and Best Actor Award (Ge You) [ 7 ] from the 1994 Cannes Film Festival, the highest major international awards Zhang Yimou has ever won.
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China in Ten Words (simplified Chinese: 十个词汇里的中国; traditional Chinese: 十個詞彙裡的中國; pinyin: shí gè cíhuì lǐ de zhōngguó) is an essay collection by the contemporary Chinese author Yu Hua, who is known for his novels To Live, Chronicle of a Blood Merchant, and Brothers.