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An alankara is any pattern of musical decoration a musician or vocalist creates within or across tones, based on ancient musical theories or driven by personal creative choices, in a progression of svaras. The term alankara is standard in Carnatic music, while the same concept is referred to as palta or alankara in Hindustani music.
Zamzama is a type of Alankar [citation needed]) and part of the note ornamentation in Indian classical music. Like a khatka , another type of Alankara , zamzama is a cluster of notes , which is used by the musician to embellish the landing note.
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Gamaka (Hindi: गमक / Urdu: گمک) (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. [1] Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. [2]
He has conducted Odissi music recitals in several educational institutions through SPIC MACAY. [2] He has established the Ramhari Das Odissi Gurukula in the village of Biragobindapura in the Puri district. [4] The Gurukula is a training-cum-research institute that imparts education in Odissi music & dance and organises workshops & seminars. [2]
In Sankarabharanam ragam (29th Melakarta in 72 parent ragam scheme of Carnatic music) the Arohana is S R2 G3 M1 P D2 N3 S. [1] See swaras in Carnatic music for explanation of notation. In Abhogi ragam, which is a janya ragam of 22nd melakarta Kharaharapriya , the Arohana is S R2 G2 M1 D2 S . [ 1 ]
See swaras in Carnatic music for description of this notation. In Sahana, a janya raga of 28th melakarta Harikambhoji, the Avarohana is S N2 D2 P M1 G3 M1 R2 G3 R2 S. [1] This raga in its avarohana has the notes jumping from one to another (a bit like Dattu). This changes the whole feel of the raga, making Sahana a beautiful raga to listen to.
The term also refers to a musical composition in classical Indian music for percussion instruments that establish a rhythm , beats (Matras) and the metric cycle of beats in a performance. [1] An example is the theka of Dadra Tal: "Dha Dhi Na / Na Ti Na".