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Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John . Life
After the suppression of the religious order in 1806, the painting, together with that of St. John the Baptist and another, the first executed by Preti once he arrived in Naples, the St. Nicholas of Bari for the Gallo-Coscia Chapel, were taken and brought into the Bourbon collections of the Palazzo dei Regi Studi. However, unlike the San Nicola ...
Christ and the Canaanite Woman is a c. 1650 oil on canvas painting by Mattia Preti. [1] It and another work by Preti showing Christ with a single woman (Christ and the Woman Taken in Adultery) were both recorded as being in the Certosa di San Martino in Naples in 1806, but were split up the following year when Adultery was acquired by the Real Museo Borbonico and Canaanite passed to the church ...
Saint Anthony Abbot (Preti) Saint George on Horseback; Saint John the Baptist (Preti) Saint John the Baptist Wearing the Red Tabard of the Order of Saint John; Saint Nicholas (Preti) Saint Sebastian (Preti) San Pietro a Majella Ceiling Paintings
Saint Nicholas (c. 1653) by Mattia Preti. Saint Nicholas is a c. 1653 painting by Mattia Preti, the first work he produced after moving to Naples and showing the three gold balls which are a traditional attribute of the saint. [1] It is now in the Museo nazionale di Capodimonte in the same city. [1]
The oval painting depicts a half-bust of the eremitic early Christian monk St Anthony Abbot. He is reading a book, and on his shoulder leans his staff with a bell. The elderly man is dressed in a sober dark cloak with hood, setting apart his white beard. The painting has also been described as possibly depicting St Francis of Paola.
The Martyrdom of Saint Peter is a c.1630-1650 oil on canvas painting by Mattia Preti, now in the Museum of Grenoble, which acquired it in 1828. [1] It had previously passed through the Palais Royal 's collection (which it entered in 1728).
The painting was made on behalf of the nuns of the San Sebastiano, Naples [] in Naples, during Preti first stay at the city. Following criticism and pressure from the artists of the Neapolitan environment, above all Luca Giordano, who considered the representation of the saint devoid of the nobility and beauty that distinguishes him in classical iconography, the work was removed from the ...