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An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations.Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws ...
The Baptism of Saint Augustine, folio 37v The Nativity of Jesus, folio 44v. The Très Riches Heures du Duc de Berry (French pronunciation: [tʁɛ ʁiʃz‿œʁ dy dyk də beʁi]; English: The Very Rich Hours of the Duke of Berry [1]), or Très Riches Heures, is an illuminated manuscript that was created between c. 1412 and 1416.
Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew.. The Lindisfarne Gospels (London, British Library Cotton MS Nero D.IV) is an illuminated manuscript gospel book probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the British Library in London. [1]
The interlace is the best-known motif of Insular art. This decoration, however, is not limited to Celtic art of Insular illumination. It is also seen in some Egyptian papyrus, Byzantine and Italian works and some Anglo-Saxon works of art, like those found in the tomb at Sutton Hoo. But the use of this pattern in Insular manuscripts is almost ...
The Christ in Majesty miniature. The Godescalc Evangelistary, Godescalc Sacramentary, Godescalc Gospels, or Godescalc Gospel Lectionary (Paris, BNF. acquisitions nouvelles lat.1203) is an illuminated manuscript in Latin made by the Frankish scribe Godescalc and today kept in the Bibliothèque nationale de France.
Byzantine illuminated manuscripts were produced across the Byzantine Empire, some in monasteries but others in imperial or commercial workshops. Religious images or icons were made in Byzantine art in many different media: mosaics , paintings, small statues and illuminated manuscripts . [ 1 ]
The manuscript, named after a monk called Liuthar, was probably created around the year 1000 at the order of Otto III at the Abbey of Reichenau and lends its name to the Liuthar Group of Reichenau illuminated manuscripts. The backgrounds of all the images are illuminated in gold leaf, a seminal innovation in western illumination.
The developers of Carolingian illumination were the so-called "court school of Charlemagne" at the Palace of Aachen, which created the manuscripts of the "Ada School ." Contemporary was the "Palace School" which was probably based in the same place, but whose artists were from Byzantium or Byzantine Italy .