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  2. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]

  3. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders.

  4. Diatonic scale - Wikipedia

    en.wikipedia.org/wiki/Diatonic_scale

    Modern musical keyboards are designed so that the white-key notes form a diatonic scale, though transpositions of this diatonic scale require one or more black keys. A diatonic scale can be also described as two tetrachords separated by a whole tone.

  5. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    Of the seven notes in the major scale, a seventh chord uses only four (the root, third, fifth, and seventh). The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a seventh implies that there is a fifth and a third and a root.

  6. Diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Diminished_seventh_chord

    Diminished seventh chords may also be rooted on scale degrees other than the leading-tone, either as secondary function chords temporarily borrowed from other keys, or as appoggiatura chords: a chord rooted on the raised second scale degree (D ♯ –F ♯ –A–C in the key of C) acts as an appoggiatura to the tonic (C major) chord, and one ...

  7. F minor - Wikipedia

    en.wikipedia.org/wiki/F_minor

    Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 3 in C-sharp major. (E-sharp minor is the mediant minor key of C-sharp major.) The scale-degree chords of E-sharp minor are: Tonic – E-sharp minor

  8. A major - Wikipedia

    en.wikipedia.org/wiki/A_major

    In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin." [ 2 ] According to Christian Friedrich Daniel Schubart , A major is a key suitable for "declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God."

  9. B-flat major - Wikipedia

    en.wikipedia.org/wiki/B-flat_major

    Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches. [1]