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Rickey Vincent is an American author, historian, and radio host based in the San Francisco Bay Area.Vincent is the author of Funk: The Music, the People and the Rhythm of The One (St. Martin’s Press, 1996), which encompasses the history of funk music, and won the ASCAP Foundation Deems Taylor Award for Music Writing in 1997.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Additive color was practical because no special color stock was necessary. Black-and-white film could be processed and used in both filming and projection. The various additive systems entailed the use of color filters on both the movie camera and projector. Additive color adds lights of the primary colors in various proportions to the ...
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The first full-length feature film produced in the United States was an adaptation of Victor Hugo's novel Les Misérables. [citation needed] The Kinemacolor process is first shown to the public at Palace Theatre in London. This is the first time the public saw color films. [25]
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century.
Color was the more common choice, being that it was projected the same as black and white while theaters needed wider screens and special lenses for their projectors to show widescreen movies. With the lack of a standard for widescreen aspect ratios, studios had to go to the expense of filming several versions of a widescreen movie to cover the ...