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In Japan, Fukurokuju (福禄寿; from Japanese fuku, "happiness"; roku, "wealth"; and ju, "longevity") is one of the Seven Lucky Gods in Japanese mythology. [1] It has been theorized that he is a Japanese assimilation of the Chinese Three Star Gods (Fu Lu Shou) embodied in one deity.
It is known that these deities mostly have their origins as ancient gods of fortune from religions popular in Japan: from Mahayana Buddhism (Benzaiten, Bishamonten, Daikokuten) which came to Japan from China but originated in India, and from Chinese Taoism (Fukurokuju, Hotei, Jurojin); except for one (Ebisu) who has a native Japanese ancestry.
The term is commonly used in Chinese culture to denote the three attributes of a good life. Statues of these three gods are found on the facades of folk religion's temples, ancestral shrines , in homes and many Chinese-owned shops, often on small altars with a glass of water, an orange or other auspicious offerings, especially during Chinese ...
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The Three Great Emperor-Officials (Chinese: 三官大帝; pinyin: sānguān dàdì), Sanguan, [1] or the Three Officials [1] are three of the highest shen in some branches of religious Taoism, and subordinate only to the Jade Emperor (玉帝 yùdì). The Three Great Emperor-Officials are the Heavenly Official (天官 tiānguān), the Earthly ...
There are a number of legendary tales behind two celestial beings of He and Ho, among them there is one regarding the two monks living a secluded life in Tiantai Mountain in the Tang dynasty by the name of Hanshan and Shide and no one know about their subsequent whereabouts.
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
Bowuzhi (博物志; "Records of Diverse Matters") by Zhang Hua (c. 290 CE) was a compendium of Chinese stories about natural wonders and marvelous phenomena. It quotes from many early Chinese classics, and diversely includes subject matter from Chinese mythology, history, geography, and folklore.