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They had much to do with propelling Bob Fosse's career as a show-business-shaking choreographer and director of musical comedy. The vignette, here vibrantly performed by Andy Blankenbuehler and Lainie Sakakura, is a re-creation of the first sequence Fosse choreographed for film, a scene from the 1953 movie of Kiss Me, Kate, danced by Fosse and ...
In Redhead, Fosse used one of the first ballet sequences in a show that contained five different styles of dance: Fosse's jazz, a cancan, a gypsy dance, a march and an old-fashioned English music hall number. During Pippin, Fosse made the first television commercial for a Broadway show. [18]
Pages in category "Musicals choreographed by Bob Fosse" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. B.
Dancin ' is a musical revue created, directed, and choreographed by Bob Fosse and originally produced on Broadway in 1978. The plotless, dance-driven revue is a tribute to the art of dance, and the music is a collection of mostly American songs, many with a dance theme, from a wide variety of styles, from operetta to jazz to classical to marches [clarification needed] to pop.
Liza with a "Z" is a 1972 concert film made for television, starring Liza Minnelli, produced by Fred Ebb and Bob Fosse. Fosse also directed and choreographed the concert, and Ebb wrote and arranged the music with his song-writing partner John Kander. All four had recently completed the successful film adaptation of Cabaret.
Fosse's distinctive style of choreography included turned-in knees and "jazz hands". He is the only person ever to have won Oscar, Emmy, and Tony awards in the same year (1973). He was nominated for four Academy Awards, winning Best Director for Cabaret (1972) and won the Palme D'Or in 1980 for All That Jazz.
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A concept musical is a work of musical theatre with a book and score structured to develop and embody a theme or message, rather than convey a narrative plot.. The form was popularized by Man of La Mancha (1965), Cabaret (1966), and Hair (1967), with Company (1970) paving the way for bolder concept musicals.