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After Dark is a series of computer screensaver software introduced by Berkeley Systems in 1989 for the Apple Macintosh, and in 1991 for Microsoft Windows. [3] [4]Following the original, additional editions included More After Dark, Before Dark, and editions themed around licensed properties such as Star Trek, The Simpsons, Looney Tunes, Marvel, and Disney characters.
In 1989, software company Berkeley Systems released its immensely popular After Dark screensaver.The best-known of the various screensaver options was Flying Toasters. [4] [5] Jefferson Airplane sued Berkeley Systems in 1994, claiming that the toasters were a copy of the winged toasters featured on the Thirty Seconds album cover. [6]
Given the small size of the first Macintosh screens, this product had some use and the idea was widely copied. The much bigger success was After Dark, a modular screen saver that included flying toasters, and the first of its kind to be sold. The idea was brought to Berkeley Systems by Jack Eastman and Patrick Beard.
The Toasters experienced a small degree of commercial success in the late 1990s due to the popularity of third wave ska in North America. Their song "Two-Tone Army" is the theme song for the Nickelodeon show KaBlam! .
New York Fever is an album by the American band the Toasters, released in 1992. [ 3 ] [ 4 ] [ 5 ] The band supported the album with a North American tour. [ 6 ]
[1] [2] The album was the first Toasters release on Asian Man Records; their long standing label Moon Ska Records became defunct in 2000. [3] It was released 5 years after Don't Let the Bastards Grind You Down , due to the demise of ska label Moon Ska and, also, the decrease of third wave ska's mainstream popularity that saw the disappearance ...
"Hot For You Baby" made its on-air debut Thursday on BBC's Radio 2 Breakfast Show at 8:50 a.m. local time. The track, according to BBC is a " prime example of Turner's raspy, physical style of ...
At the April 4 and 6 Avalon Ballroom concerts, the Flying Burrito Brothers, along with the band Aum, were the opening acts for the Grateful Dead. [3] Amoeba Records co-founder Dave Prinz found tapes of the two shows among the 16,000 hours of material in the Grateful Dead's vault, and after considerable lobbying, convinced the Dead's sound engineer Owsley "Bear" Stanley, who oversaw the Dead's ...