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Preface to the poem Milton by William Blake. A preface (/ ˈ p r ɛ f ə s /) or proem (/ ˈ p r oʊ ɛ m /) is an introduction to a book or other literary work written by the work's author. An introductory essay written by a different person is a foreword [contradictory] and precedes an author's preface.
The preface, which begins at the words, "It is very meet and just, right and salutary" (or a variation thereof) is ushered in, in all liturgies, with the Sursum corda ("Lift up your hearts") and ends with the Sanctus ("Holy, Holy, Holy"). In most Western liturgies, proper prefaces are appointed for particular occasions.
Preface may refer to: Preface , an introduction to a book or other literary work written by the work's author. Preface (liturgy) , portion of the Eucharistic Prayer that immediately precedes the Canon or central portion of the Eucharist
The kana preface to the Kokin Wakashū (古今和歌集仮名序 Kokin Wakashū kana-jo, 古今集仮名序 Kokinshū kana-jo, or simply 仮名序 kana-jo; rekishi-teki kanazukai: 假名序) is one of the two prefaces to the tenth-century Japanese waka anthology, the Kokin Wakashū.
The preface to Milton includes the poem "And did those feet in ancient time", which was set to music as the hymn called "Jerusalem". The poem appears after a prose attack on the influence of Greek and Roman culture, which is unfavourably contrasted with "the Sublime of the Bible". The preface to Milton, as it appeared in Blake's own illuminated ...
Extract from the preface, with the passage which gave it its nickname underlined in red, in the Patrologia Latina, v.28. The Prologus Galaetus or Galeatum principium (lit. and traditionally translated as "helmeted prologue"; [1] or sometimes translated as "helmeted preface" [2] [3]) is a preface by Jerome, dated 391–392, to his translation of the Liber Regum (the book of Kings composed of ...
The Lantingji Xu (traditional Chinese: 蘭亭集序; simplified Chinese: 兰亭集序; pinyin: Lántíngjí Xù; lit. 'Preface to the Poems Collected from the Orchid Pavilion'), or Lanting Xu ("Orchid Pavilion Preface"), is a piece of Chinese calligraphy work generally considered to be written by the well-known calligrapher Wang Xizhi (303–361) from the Eastern Jin dynasty (317–420).
The preface paradox, or the paradox of the preface, [1] was introduced by David Makinson in 1965. Similar to the lottery paradox , it presents an argument according to which it can be rational to accept mutually incompatible beliefs.