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Me and Juliet is a musical with music by Richard Rodgers, and lyrics and book by Oscar Hammerstein II.The sixth stage collaboration by Rodgers & Hammerstein, it tells a story of romance backstage at a long-running musical: assistant stage manager Larry woos chorus girl Jeanie behind the back of her electrician boyfriend, Bob.
This type of revue may or may not have identifiable characters and a rudimentary storyline but, even when it does, the songs remain the focus of the show (for example, Closer Than Ever by Richard Maltby Jr. and David Shire). This type of revue usually showcases songs written by a particular composer or songs made famous by a particular performer.
Working is a musical with a book by Stephen Schwartz and Nina Faso, music by Schwartz, Craig Carnelia, Micki Grant, Mary Rodgers, and James Taylor, and lyrics by Schwartz, Carnelia, Grant, Taylor, and Susan Birkenhead.
Music-related images on Wikipedia include icons, examples, and illustrations. Icons include File:Musical note nicu bucule 01.svg as displayed on Portal:Music. Small images giving examples should be displayed in text, without framing. For example, an image accompanying the mention of "bass clef" in a different article is displayed well this way.
The Sound of Music is a musical with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Howard Lindsay and Russel Crouse. It is based on the 1949 memoir of Maria von Trapp , The Story of the Trapp Family Singers .
Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera.. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas the former is a critique of the theatrical performance.
Music Box Revue was a series of four musical theatre revues by Irving Berlin, presented from 1921 to 1924 at the Music Box Theatre in New York City. Berlin wrote the book, music, and lyrics to all four editions. [ 1 ]
Play On! is a musical adaptation of Shakespeare's Twelfth Night, featuring the music of Duke Ellington, conceived by Sheldon Epps, with a book by Cheryl L. West.The musical resets the story from Illyria to 1940s Swing-era Harlem.