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The work depicts Marthe Bonnard and a cat climbing on to a table arranged for a meal. The influence of Japanese prints is apparent, as it often is in works by Bonnard and the other artists of the Nabis. [1] The painting was donated by Baronnes Eva Gebhard-Gourgaud to the Musée National d'Art Moderne in 1965, and assigned to the Musée d'Orsay ...
Barbican Art Gallery: London Gwen John: An Interior Life, no. 28 (as "Girl with Cat") [4] Nov 28 – Jan 26, 1985–86 Manchester City Art Gallery: Manchester Gwen John: An Interior Life, no. 28 [4] Feb 26 – April 20, 1986 Yale Center for British Art: New Haven Gwen John: An Interior Life, no. 28 [4]
The following is a list of recurring Saturday Night Live sketches, organized by the season and date in which the sketch first appeared. For an alphabetical list, see Recurring Saturday Night Live characters and sketches (listed alphabetically). 1975–1976 Title Premiere date Main actor(s) Description Weekend Update October 11, 1975 Chevy Chase Jane Curtin Dan Aykroyd A satirical news segment ...
The Dancing Cat art portrays daily life—whether it’s lounging in bed or celebrating major holidays—all through the lens of cats. Jamie’s style of drawing perfectly captures cat mannerisms ...
Woman with Cat, 1908 painting by Dutch-French Fauve painter Kees van Dongen, Milwaukee Art Museum; Woman with a Cat, 1912 painting by French artist Pierre Bonnard, Musée d'Orsay, Paris; Woman with a Cat, two 1921 paintings by French artist Fernand Léger, Metropolitan Museum of Art and Hamburger Kunsthalle
A soap opera parody taking place in the fictional town of Canoga Falls with Burnett as the main character Marian Clayton. Other recurring residents of Canoga Falls include Conway as different variations of the Oldest Man, Korman as Mother Marcus and Lawrence as Marian's daughter, who always comes home with a baby and hands it over to Marian, who shortly thereafter almost always ensconces it in ...
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The paintings are thought to be a study for his later work, Three Women (Le Grand Déjeuner, 1921–1922). The larger work (130.8 × 90.5 cm) was originally part of the Gottlieb Reber collection in Switzerland until 1958; it was eventually sold to Samuel and Florene Marx and then gifted to the Metropolitan Museum of Art in 1994.