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In a South Indian version of Shiva Purana, Hanuman is described as the son of Shiva and Mohini (the female avatar of Vishnu), or alternatively he has been linked to or merged with the origin of Swami Ayyappa who is popular in parts of South India. [15] In the Muktikā Upanishad Hanuman is in dialogue with Rama about the subject of moksha. [74]
The deity Hanuman is sometimes featured with five-faces in his iconography, known as Panchamukhi Hanuman, or Panchamukha Anjaneya. [3] Each head is that of a deity associated with Vishnu , and is depicted to be facing a cardinal direction: Hanuman faces the east, Narasimha faces the south, Varaha faces the north, Garuda faces the west, and ...
The king of the asuras, he was regarded to be a benevolent ruler. He overran the three worlds and overthrew Indra. He was exiled to the realm of Patala (the netherworld) by the Vamana avatar of Vishnu to restore cosmic order, [7] and was blessed with immortality by the deity. Vyasa: The sage and author of the Mahabharata. He represents ...
For example, in the Hanuman Chalisa, Hanuman is identified as the eleventh avatar of Shiva. [340] [341] [342] The Bhagavata Purana and the Vishnu Purana claim sage Durvasa to be a portion of Shiva. [343] [344] [345] Some medieval era writers have called the Advaita Vedanta philosopher Adi Shankara an incarnation of Shiva. [346]
Hanuman is one of the central figures of the epic. He is a brahmachari (life long celibate) and one of the chiranjivis. In some versions of the epic, he is described as an avatar of Shiva. Hema: An apsara in Indra's court. When Mayasura visited Svarga, he saw and married her. They had two sons, Mayavi and Dundubhi, and a daughter named ...
Pinaka or (Shiva's bow), also called Ājagava - The great bow of Shiva, arrows fired from the bow could not be intercepted. Vijaya Dhanush (also Shiv Dhanush) - Karna possessed this bow which was given by Lord Parashurama. It is considered to be foremost among the bows in Hindu mythology as it was personally created using Lord Shiva's energy.
Matsya: The fish avatar. King Vaivasvata Manu finds a little fish in the palm of his hands when performing the tarpana (water-offering). The fish asks Manu if his riches and power was enough to give the fish a nice home. Manu keeps the fish to give it a home, but the fish keeps expanding, which breaks Manu's pride about his wealth.
The term svayambhu is also used to describe the belief of a self-manifested image (murti) of a deity present in a temple, which is described to be not of human creation, but of natural or divine origin. Such images are described in some of the regional legends of religious sites called the sthala puranas. [6]