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"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and ...
Her best-known piece is the iconic song "Bésame mucho", which she composed in the Cuban music genre bolero when she was only 16 years old. This piece gained Velázquez the most recognition and brought the most pleasure to her, and was created before Consuelo received her first kiss from someone she loves. [ 9 ]
Download as PDF; Printable version; In other projects ... Music. Besame Mucho, a jazz ... Besame mucho, a 1999 Italian ...
[8] [9] It is suggested as a resource by the Sibley Music Library [10] and by libraries at other universities such as Stanford University, [11] University of California, Los Angeles, [12] Brown University, [13] University of Pennsylvania, [14] University of Wisconsin–Madison, [15] Oberlin Conservatory of Music, [16] Manhattan School of Music ...
Bésame mucho, el musical is a jukebox musical with a book written by Consuelo Garrido, Lorena Maza, and Victor Weinstock. The music, arranged by José María Vitier, features Bolero hit songs from the 1920s to the 1980s. It was the first original musical created by OCESA Teatro, Mexican leader in musical theatre.
Besame Mucho is a live album by saxophonist Art Pepper recorded in Japan in 1979 at the same concerts that produced Landscape and originally released on the Japanese JVC label in 1981 before being rereleased on the Galaxy label.
However, the record labels' rush to exploit the new Brazilian sound led to musicians introducing errors in melody and harmony in the music. [10] For example, the sheet music of "Desafinado" as published in The New Real Book (1995)—a compilation of jazz and bossa nova songs—is the Charlie Byrd version from Jazz Samba, which contains many ...