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Beehive bells were produced on about the 8th-12th centuries A.D. [14] Sugarloaf bells were made starting in the 12th century. [15] Transitional rib and Gothic rib bells were made from the 12th century and into the 17th century. [5] Latin, western tradition from church tintinabulum, bell cymbalum, single bell: Saint Patrick's Bell. Iron sheet ...
Sonnerie de Sainte-Geneviève du Mont de Paris, "The Bells of St. Genevieve" in English, is a work by Marin Marais written in 1723 for viol, violin and harpsichord with basso continuo. It can be considered a passacaglia or a chaconne , with a repeating D, F, E bass line. [ 1 ]
Gongs can also be immersed into a tub of water after being struck. This is called "water gong" and is called for in several orchestral pieces. Tuned gongs have also been used with the symphony orchestra, e.g. sets of differently tuned gongs used by Messiaen in pieces such as Des canyons aux étoiles and Et exspecto resurrectionem mortuorum.
The history of the electric violin spans the entire 20th century. The success of electrical amplification, recording and playback devices brought an end to the use of the Stroh violin in broadcast and recording. Acoustic-electric violins have a hollow body with soundholes, and may be played with or without amplification.
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
The use of iron bells (gongs) in sub-Saharan African music is linked to the early iron-making technology spread by the great Bantu migrations. The spread of the African bell patterns is probably similarly linked.
Bellfounding has been important throughout the history of ancient civilizations. Eastern bells, known for their tremendous size, were some of the earliest bells, made many centuries before the European Iron Age. The earliest bells were made of pottery, developing later into the casting of metal bells. [2]
The bells are usually tuned to a diatonic scale without chromatic notes; they are traditionally numbered from the top downwards so that the highest bell (called the treble) is numbered 1 and the lowest bell (the tenor) has the highest number; it is usually the tonic note of the bells' scale. To swing the heavy bells requires a ringer for each bell.