Search results
Results From The WOW.Com Content Network
Woodblock print of Vlad III "Dracula" attending a mass impalement During the 15th century, Vlad III ("Dracula"), Prince of Wallachia , is credited as the first notable figure to prefer this method of execution during the late medieval period, [ 80 ] and became so notorious for its liberal employment that among his several nicknames he was known ...
Medieval art is colorful, creative, quirky, stylized, and goofy. The results are often incredibly bizarre but undeniably entertaining. The post ‘Weird Medieval Guys’: 50 Amusing And Confusing ...
The use of impalement in myth, art, and literature includes mythical representations of it as a method of execution and other uses in paintings, sculptures, and the like, folklore and other tales in which impalement is related to magical or supernatural properties, and the use of simulated impalement for the purposes of entertainment.
This is an accepted version of this page This is the latest accepted revision, reviewed on 26 February 2025. Medieval punishment for high treason The execution of Hugh Despenser the Younger, as depicted in the Froissart of Louis of Gruuthuse To be hanged, drawn and quartered was a method of torturous capital punishment used principally to execute men convicted of high treason in medieval and ...
Illustration of the execution of Hadj Mohammed Mesfewi. Immurement (from Latin im- ' in ' and murus ' wall '; lit. ' walling in '), also called immuration or live entombment, is a form of imprisonment, usually until death, in which someone is placed within an enclosed space without exits. [1]
Oliver Cromwell's head was placed on a spike and erected in the 17th century. A drawing from the late 18th century. A head on a spike (also described as a head on a pike, a head on a stake, or a head on a spear) is a severed head that has been vertically impaled for display.
The human target is the essential distinguishing feature of the impalement arts. It has been asserted by several sources, including well-known knife throwers, that the power and appeal of this type of act lies as much in audience appreciation of the target as in admiration of the skill of the thrower or archer. [10]
The stocks, pillory, and pranger each consist of large wooden boards with hinges; however, the stocks are distinguished by their restraint of the feet. The stocks consist of placing boards around the ankles and wrists, whereas with the pillory, the boards are fixed to a pole and placed around the arms and neck, forcing the punished to stand.