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The episode was written by series co-creators David Benioff and D. B. Weiss. "Breaker of Chains" was written by executive producers David Benioff and D. B. Weiss, based upon the source material, Martin's A Storm of Swords. [6] [7] The controversial Jaime-Cersei scene was adapted from chapter 62 of A Storm of Swords (Jaime VII).
# of chords Quality 50s progression: I–vi–IV–V: 4: Major IV-V-I-vi ... Minor Irregular resolution (Type I: Two common tones, two note moves by half step motion)
Minor: Minor chord: Augmented: Augmented chord: Diminished: Diminished chord: Indeterminate: ... List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. # ...
The tritone substitution is widely used for V7 chords in the popular jazz chord progression "ii-V-I". In the key of C, this progression is "d minor, G7, C Major". With tritone substitution, this progression would become "d minor, D ♭ 7, C Major," which contains chromatic root movement. When performed by the bass player, this chromatic root ...
George R. R. Martin's A Song of Ice and Fire saga features a large cast of characters. The series follows three interwoven plotlines: a dynastic war for control of Westeros by several families; the rising threat of the undead White Walkers beyond the northern border of Westeros; and the ambition of Daenerys Targaryen, the exiled heir of the previous ruling dynasty.
Using lead sheet chord names, these chords could be referred to as A minor, D minor, G major and C major. [ 1 ] In music theory , Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals , which encode the chord's degree and harmonic function within a given musical key .
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.