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Eugène Ionesco (/ j oʊ ˈ n ɛ s k oʊ /; French: [øʒɛn jɔnɛsko]; born Eugen Ionescu, Romanian: [e.uˈdʒen joˈnesku] ⓘ; 26 November 1909 – 28 March 1994) was a Romanian-French playwright who wrote mostly in French, and was one of the foremost figures of the French avant-garde theatre in the 20th century.
The representation of Jesus was controversial in the early period; the regional Synod of Elvira in Spain in 306 states in its 36th canon that no images should be in churches. [5] Later, in the Eastern church , Byzantine iconoclasm banned and destroyed images of Christ for a period, before they returned in full strength.
[2] [3] Other parts of the New Testament – such as the Pauline epistles which were likely written within 20 to 30 years of each other, [4] and which include references to key episodes in the life of Jesus, such as the Last Supper, [2] [3] [5] and the Acts of the Apostles , which includes more references to the Ascension episode than the ...
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Theatrical debates of the 1950’s and 60’s began with the avant-garde theatre of Samuel Becket, Eugene Ionesco, Arthur Adamov, Jean Genet and Bertolt Brecht.Performance techniques and theories of alienation or the distancing effect that began with Erwin Piscator and epic theatre became part of this debate.
The date of birth of Jesus of Nazareth is not stated in the gospels or in any secular text, but most scholars assume a date of birth between 6 BC and 4 BC. [1] Two main methods have been used to estimate the year of the birth of Jesus: one based on the accounts of his birth in the gospels with reference to King Herod's reign, and another based on subtracting his stated age of "about 30 years ...
Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process.
An early work, it has not received the notoriety of his other works. This play is in the Theatre of the Absurd style, of which Ionesco was a pioneer. The play was first produced by Jaques Mauclair in February 1953 at the Théâtre du Quartier latin in Paris .