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Pagalpanti (transl. Madness) is a 2019 Indian Hindi-language action comedy film directed by Anees Bazmee and produced by Bhushan Kumar and Krishan Kumar under the banner of T-Series along with Kumar Mangat Pathak and Abhishek Pathak under the banner of Panorama Studios. [6]
Aankhen (transl. Eyes) is a 2002 Indian Hindi-language heist thriller film directed by Vipul Amrutlal Shah, starring Amitabh Bachchan, Akshay Kumar, Arjun Rampal, Sushmita Sen, Paresh Rawal and Aditya Pancholi.
Title Director Cast Genre Abhay: Suresh Krissna: Kamal Haasan, Manisha Koirala, Raveena Tandon: Thriller Aamdani Atthanni Kharcha Rupaiya: K. Raghavendra Rao: Govinda ...
Download QR code; Print/export ... This is a list of Bollywood (Indian Hindi-language) films that have been released in 2018. [1] ... Swarp Films & Yen Movies [101 ...
Bollywood Hungama gave 4/5 and wrote "On the whole, Bad Newz is a fun-filled entertainer." [27] Dhaval Roy of The Times of India rated the film 3.5 stars out of 5 and wrote "With a hilarious premise and two funny men, this one’s a laugh riot. Even when the plot takes a familiar turn and stretches, the witty dialogues and spot-on comedic ...
Awara Paagal Deewana (Wayward, Crazy, Insane) is a 2002 Indian Hindi-language action comedy film directed by Vikram Bhatt. Anu Malik composed the film's score with lyrics by Sameer. The plot is loosely based on the 2000 American film The Whole Nine Yards. [2] Dion Lam, who worked on The Matrix and Hong Kong action films was the stunt director. [3]
Khoobsurat (transl. Beautiful) is a 1999 Indian Hindi-language romantic comedy film directed by Sanjay Chhel and produced by Rahul Sughand. It stars Sanjay Dutt and Urmila Matondkar alongside an ensemble supporting cast. The film was declared a hit at the box office. [1]
Aastha: In the Prison of Spring is a 1997 Bollywood film, produced and directed by Basu Bhattacharya. The film stars Rekha , Om Puri , Navin Nischol and Daisy Irani in the main roles. The film went on to receive both critical acclaim and commercial success, the latter of which had eluded Basu in his last few films.