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Surrealism – since 1920s, France Acéphale – 1936 – 1939, France; Lettrism – 1942 – Les Automatistes 1946 – 1951, Quebec, Canada; Devetsil – 1920 – 1931; Group of Seven – 1920 – 1933, Canada; Harlem Renaissance – 1920 – 1930s, United States; American scene painting – c. 1920 – 1945, United States
Surrealist music is music which uses unexpected juxtapositions and other surrealist techniques.Discussing Theodor W. Adorno, Max Paddison defines surrealist music as that which "juxtaposes its historically devalued fragments in a montage-like manner which enables them to yield up new meanings within a new aesthetic unity", [1] though Lloyd Whitesell says this is Paddison's gloss of the term. [2]
These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
Surrealism: Originally a French movement, which developed in the 1920s from Dadaism by André Breton with Philippe Soupault and influenced by surrealist painting, that uses surprising images and transitions to play off of formal expectations and depict the unconscious rather than conscious mind (surrealist automatism) [102]
DaDa was produced by long-time collaborator Bob Ezrin, at the time his first production with Cooper in six years since his third solo studio album Lace and Whiskey (1977), during that interim Ezrin had produced Pink Floyd's studio album The Wall (1979), with people comparing certain track's sound on DaDa to Pink Floyd. [6]
It has probably been the chief surrealist method from the founding of surrealism to the present day. One of the oddest uses of automatic writing by a great writer was that of W. B. Yeats; his wife, a spiritualist, practised it, and Yeats put large chunks of it into his prose work, A Vision and much of his later poetry, but Yeats was not a ...
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.