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  2. Music appreciation - Wikipedia

    en.wikipedia.org/wiki/Music_appreciation

    Music appreciation is a division of musicology that is designed to teach students how to understand and describe the contexts and creative processes involved in music composition. The concept of music appreciation is often taught as a subset of music theory in higher education and focuses predominantly on Western art music , commonly called ...

  3. Seventh (chord) - Wikipedia

    en.wikipedia.org/wiki/Seventh_(chord)

    Seventh (F), in red, of a G7 dominant seventh chord in C Third inversion G7 chord; the seventh is the bass. In music, the seventh factor of a chord is the note or pitch seven scale degrees above the root or tonal center. [1] When the seventh is the bass note, or lowest note, of the expressed chord, the chord is in third inversion Play ⓘ.

  4. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...

  5. Roger Kamien - Wikipedia

    en.wikipedia.org/wiki/Roger_Kamien

    Roger Kamien (born 1934) is a retired professor emeritus of musicology at the Hebrew University of Jerusalem, Israel.He was born in Paris, and was raised in America. He is the author of the book Music: An Appreciation, which is intended to show students the basics and the importance of music.

  6. Nondominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Nondominant_seventh_chord

    Nondominant seventh chord resolution along a circle progression, the seventh resolves down by step to the third of the next chord: I 7 –IV [3] Play ⓘ. B resolves to A. In music theory, a nondominant seventh chord is both a diatonic chord and a seventh chord, but it does not possess dominant function, [2] and thus it is not a dominant ...

  7. Dominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_chord

    In music theory, a dominant seventh chord, or major minor seventh chord, [a] is a seventh chord composed of a root, major third, perfect fifth, and minor seventh; thus it is a major triad together with a minor seventh. It is often denoted by the letter name of the chord root and a superscript "7". [3]

  8. Major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Major_seventh_chord

    In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added ...

  9. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    Half-diminished seventh chords are often symbolized as a circle with a diagonal line through it, as in B ø 7 or simply B ø. It also can be represented as a minor seventh chord with a superscript "♭ 5" (sometimes enclosed in parentheses). The terms and symbols for this chord break expectations that derive from the usual system of chord ...