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The top un-oxidized top layer is made into a cutout design, which allows the dark bottom layer to show through. This technique is still in use today in silver jewelry. Hopi jeweler Charles Loloma (1921–1991) transformed mid-20th-century Native American jewelry by winning major awards with his work that incorporated new materials and ...
Sekaquaptewa was a 1973 graduate of Northern Arizona University with a bachelor of Fine Arts degree and a master's degree from the University of Arizona, 1974. [1] He gained interest in the field of jewelry from his father Wayne and from his uncle Emory Sekaquaptewa, the linguist and silversmith as well, who co-founded the Hopi Gallery on the Third Mesa, Arizona. [1]
Charles Sequevya Loloma (January 7, 1921 — June 9, 1991) was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics. A highly influential Native American jeweler during the 20th century, [1] Loloma popularized use of gold and gemstones not previously used in Hopi jewelry.
Sekaquaptewa made silver jewelry that was hallmarked SEKAQUAPTEWA, his brother Wayne only occasionally made jewelry and shared the hallmark. Hopicrafts closed in 1983. [ 8 ] His nephew Phillip Sekaquaptewa , son of Wayne Sekaquaptewa, was a talented silversmith and skilled at not only Hopi silver overlay technique but an original contemporary ...
All Things Hopi Belt, 2005, by Gail Bird and Yazzie Johnson in the Heard Museum Collection, Phoenix, Arizona. The jewelry works of Bird and Johnson are included in the permanent collections of several museums, including the British Museum, the Museum of Arts and Design, the National Museum of Scotland and the Smithsonian Institution. [14]
Tsinnie began making jewelry in 1973, learning from his Hopi brother-in-law, Horace Emerson. [2] His career sustained for nearly 50 years. He worked in both traditional as well as innovative designs in heavy gauge silver. In addition to working with turquoise and lapis, he also worked with fossilized dinosaur bone and coral.