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A Hundred Years of Japanese Film: A Concise History, with a Selective Guide to DVDs and Videos. Kodansha America. ISBN 978-4-7700-2995-9. Sato, Tadao (1982). Currents In Japanese Cinema. Kodansha America. ISBN 978-0-87011-815-9. Wada-Marciano, Mitsuyo (2008). Nippon Modern: Japanese Cinema of the 1920s and 1930s. University of Hawaii Press.
Characteristically, Imamura seeks to investigate an alternative interpretation of recent Japanese history through the eyes of a person living in the lower strata of that society. [4] Beginning with this film, Imamura was to spend the next decade working in the documentary format. He returned to purely fictional narrative with Vengeance is Mine ...
Shinsuke Ogawa (小川紳介, Ogawa Shinsuke) (25 June 1935 - 7 February 1992) was a Japanese documentary film director. Ogawa and Noriaki Tsuchimoto have been called the "two figures [that] tower over the landscape of Japanese documentary."
Japanese documentary television films (3 P) Pages in category "Japanese documentary films" ... A Brief History of Time (film) Budo: The Art of Killing; C.
Documentary films about Japanese war crimes (12 P) Pages in category "Documentary films about Japan" The following 28 pages are in this category, out of 28 total.
The film describes Imperial Japan through a critical lens. Political repression in Japan, the Japanese invasion of Manchuria in 1931, the assassination of the Japanese prime minister Inukai Tsuyoshi by fascists in 1933, the Anti-Comintern Pact between Germany, and Japan, the Second Sino-Japanese war, and the Japanese attack on Pearl Harbor are discussed in the film.
Nationalist politics in Japan sometimes exacerbated these tensions, such as denial of the Nanjing Massacre and other war crimes, [291] revisionist history textbooks, and visits by some Japanese politicians to Yasukuni Shrine, which commemorates Japanese soldiers who died in wars from 1868 to 1954, but also has included convicted war criminals ...
Frank Capra hired Joris Ivens to supervise the documentary in early 1943, but after Ivens submitted a 20-minute preview, which treated the Japanese as an open-minded people being led by a vilified Emperor Hirohito, Capra told Ivens to leave the project because the U.S. Army had disapproved so much of the approach he had taken towards his ...