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Cretan lyra. Dulcimer. Fiddle. Gittern [6] Guitarra latina. Guitarra morisca [7] Medieval harp (Medieval form of the modern harp) Hurdy-gurdy. Lute [8]
Medieval instruments in Europe had most commonly been used singly, often self-accompanied with a drone, or occasionally in parts. From at least as early as the 13th century through the 15th century there was a division of instruments into haut (loud, shrill, outdoor instruments) and bas (quieter, more intimate instruments). [18]
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
Music in Medieval England. Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. The sources of English secular music are much more limited than for ecclesiastical music.
Like the harpsichord, the virginals has its origins in the psaltery, to which a keyboard was applied, probably in the 15th century. The first mention of the word is in Paulus Paulirinus of Prague's (1413–1471) Tractatus de musica , of around 1460, where he writes: "The virginal is an instrument in the shape of a clavichord, having metal ...
Citole. The vielle / viˈɛl / is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body. [citation needed] Whatever external form they had, the box ...
The earliest surviving lute music is Italian, from a late 15th-century manuscript. The early 16th century saw Petrucci 's publications of lute music by Francesco Spinacino ( fl. 1507) and Joan Ambrosio Dalza ( fl. 1508); together with the so-called Capirola Lutebook , these represent the earliest stage of written lute music in Italy.