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Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers.
Techniques of improvisation are widely used in training for performing arts or entertainment; for example, music, theatre and dance. To " extempore " or "ad lib" is basically the same as improvising. Colloquial terms such as "playing by ear", "take it as it comes", and "making it up as [one] goes along" are all used to describe improvisation.
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Alexander Scriabin is known to have written at least nine impromptus for the piano in his early period. Jean Sibelius composed six impromptus for piano op. 5 (1893) The impromptu genre remained popular all throughout the 19th century and was prominent throughout the romantic era.
Viola Spolin (November 7, 1906 — November 22, 1994) was an American theatre academic, educator and acting coach. She is considered an important innovator in 20th century American theater for creating directorial techniques to help actors to be focused in the present moment and to find choices improvisationally, as if in real life. [1]
Historic Outdoor Forest Theater in Carmel, California, at sunset. The following outline is provided as an overview of and topical guide to theatre: . Theatre – the generic term for the performing arts and a usually collaborative form of fine art involving live performers to present the experience of a real or imagined event (such as a story) through acting, singing, and/or dancing before a ...
This Theatre of the Absurd one-act lampoons theatre criticism and theatrical conventions. Only about an hour in length and little known, it has seldom been seen since its inception. Ionesco, criticized for his early brand of avant-garde work, wrote the play as a responsive satire. Portraying himself as a beleaguered playwright, Ionesco is ...