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"The Beautiful and Cruel World") is a song by Japanese singer Yoko Hikasa, whose lyrics were written by Mike Sugiyama and music composed by Rei Ishizuka . The song was released on May 8, 2013, as the debut single of Hikasa from Pony Canyon, and is best remembered for its use as the first ending theme for the first season of Attack on Titan.
Cruel, Crazy, Beautiful World is the third studio album from South African artist Johnny Clegg and his band Savuka. Released in 1989 and produced by Hilton Rosenthal and Bobby Summerfield, it is today recognized as probably the band's greatest album, [ 1 ] containing hits such as " Dela " and "Cruel, Crazy, Beautiful World".
A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony.The melody is written in modern Western music notation, the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff.
11 Transistor: "Prada Wallet" after the last song. All the Time in the World: "It's Time For Us To Go" after the last song. Leaves - on album Breathe at the End of eleventh song "We" is hidden "Exit." Lee Press-on and the Nails: Jump Swing From Hell: Live at the Hi-Ball Lounge: "Jumpin' Jive" at the end of the album
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Although the song "Lovefool" by The Cardigans was featured in the film, it too was not featured in the soundtrack. Music composer John Ottman had originally created an entire musical score for the film but it was rejected [1] and Ed Shearmur was hired to compose new music. Ottman's score was moody and sophisticated, but the producers had ...
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
In The Interpretation of Early Music, Robert Donington surveys many treatises to ascertain the history of the slide. [1] Writing in 1654, John Playford noted that the slide can be used in ascending (he called it "elevation") or in descending (he called it "double backfall") forms. [1]