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New City Stage wrote that "the brilliance of A Chorus Line has always been in the undeniable synergy of all its creative elements. Case in point: the show’s fifteen-minute "Hello Twelve, Hello Thirteen, Hello Love" number, better known as the 'Montage' since it actually consists of musical numbers within numbers, monologues, lyrical fragments and all-out dance sequences."
Hello Again is a musical with music, lyrics and book by Michael John LaChiusa. It is based on the 1897 play La Ronde by Arthur Schnitzler (also titled Reigen ). It focuses on a series of love affairs among ten characters during the ten different decades of the 20th century.
Among popular versions are those by: Frank Sinatra - recorded March 2, 1951 with Axel Stordahl and His Orchestra., [1] as well as on 1965's September of My Years. [2]Perry Como - recorded March 20, 1951 with Mitchell Ayres and His Orchestra. [3]
Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1954.
"Hello, Dolly!" is the title song of the popular musical of the same name, with music and lyrics by Jerry Herman. A recording by Louis Armstrong released in 1964 was a widely popular success, winning the Song of the Year and Male Vocal Performance awards at the 7th Annual Grammy Awards .
A Chorus Line is a 1975 musical conceived by Michael Bennett with music by Marvin Hamlisch, lyrics by Edward Kleban, and a book by James Kirkwood Jr. and Nicholas Dante.. Set on the bare stage of a Broadway theater, the musical is centered on seventeen Broadway dancers auditioning for spots on a chorus line.
Head Over Heels is a jukebox musical comedy with music and lyrics from the catalog of The Go-Go's. Jeff Whitty conceived the show and wrote the original book, which was then adapted by James Magruder after Whitty left the show due to conflict with incoming director Michael Mayer.
On the back of one of the song edition's cover was an ad by Leo Feist which declared "MUSIC WILL HELP WIN THE WAR!", as well as an essay by "A. Patriot" which explained the meaning of the song. The song was meant to lift the nation's spirit and fight off fatigue and worry by promoting the American war effort in Europe. [9]