Ads
related to: dior evening dresses 1940s collection 2 download
Search results
Results From The WOW.Com Content Network
Evening dress and evening glove by Dior, silk taffeta, 1954. Indianapolis Museum of Art. Natalie Wood (center, with Tab Hunter) and Louella Parsons wear ballerina-length evening dresses at the Academy Awards, 1956. With his revolutionary New Look, Christian Dior wrote a new chapter in the history of fashion.
Marie-Louise Bruyère (6 October 1883 – ), mostly known as Madame Bruyère, [1] was a French fashion designer of the 1930s, 1940s and 1950s, operating out of Paris and importing her fashion lines abroad.
English: Christian Dior evening ensemble, "Zémire," H Line, Fall-Winter 1954. Red cellulose acetate satin. Ballgown skirt, separate bodice, long jacket, and petticoat with white boned corset bodice and red crinoline skirt.
In 2010, a record price of £719,000 was achieved at Christie's for a unique seven-foot-high print of model Dovima, posing in a Christian Dior evening dress with elephants from the Cirque d’Hiver, Paris, in 1955. This particular print, the largest of this image, was made in 1978 for Avedon's fashion retrospective at the Metropolitan Museum of ...
[60] [61] Both as Queen, and as the Queen Mother, Elizabeth adopted the traditional bell-shaped crinoline as her signature look for evening wear and state occasions. [62] The film Gone with the Wind, released in 1939, inspired the American fashion for prom dresses with crinolines in Spring 1940. [63] Dior evening gown and crinoline petticoat, 1954
Bouffant gowns were a popular silhouette during the mid-19th century. It fell out of style by the end of the 19th century, but re-emerged in the 1930s, to appear in evening gowns during the 1930s and 1940s. It was fully revived in tea-length designs in 1947 by Christian Dior's New Look couture collection. The style remained very popular at calf ...
Jacques Fath (6 September 1912 in Maisons-Laffitte, France – 13 November 1954 in Paris, France) [1] [2] was a French fashion designer who was considered one of the three dominant influences on postwar haute couture, the others being Christian Dior and Pierre Balmain. [3] The playwright Georges Fath was his great-grandfather.
The "New Look" revolutionized women's dress, reestablished Paris as the centre of the fashion world after World War II, [34] [35] and made Dior a virtual arbiter of fashion for much of the following decade. [36] Dior's collection was an inspiration to many women post-war and helped them regain their love for fashion. [9]