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Evening dress and evening glove by Dior, silk taffeta, 1954. Indianapolis Museum of Art. Natalie Wood (center, with Tab Hunter) and Louella Parsons wear ballerina-length evening dresses at the Academy Awards, 1956. With his revolutionary New Look, Christian Dior wrote a new chapter in the history of fashion.
He showed his first New York collection on October 30, 1940, and soon established himself as one of the leading American fashion designers. He solved fabric rationing issues by designing short evening gowns and "cocktail aprons" that could transform any dress into a formal evening dress.
Gold lace evening dress illustrating Fogarty's "paper doll" silhouette and worn by the designer to receive an award in Philadelphia, c. 1953 [8] (). While at Youth Guild, Fogarty developed one of her signature looks, the tight-bodied dress with a very full skirt worn over a stiffened nylon petticoat, influenced by Dior's New Look. [9]
Even though daywear dresses were influenced by the war, evening dresses remained glamorous. Women's undergarments became the soul of fashion in the 1940s [6] because it maintained the critical hourglass shape with smooth lines. Clothes became utilitarian. Pants or trousers were considered a menswear item only until the 1940s. [6]
Amal, 45, however, was the belle of the ball in a vintage Christian Dior dress. The dainty baby pink frock featured a lace construction with a sheer overlay. The dress was completed with a lace ribbon
Jacques Fath (6 September 1912 in Maisons-Laffitte, France – 13 November 1954 in Paris, France) [1] [2] was a French fashion designer who was considered one of the three dominant influences on postwar haute couture, the others being Christian Dior and Pierre Balmain. [3] The playwright Georges Fath was his great-grandfather.
Marie-Louise Bruyère (6 October 1883 – ), mostly known as Madame Bruyère, [1] was a French fashion designer of the 1930s, 1940s and 1950s, operating out of Paris and importing her fashion lines abroad.
The "New Look" revolutionized women's dress, reestablished Paris as the centre of the fashion world after World War II, [34] [35] and made Dior a virtual arbiter of fashion for much of the following decade. [36] Dior's collection was an inspiration to many women post-war and helped them regain their love for fashion. [9]