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The Nihon Bijutsu Tōken Hozon Kyōkai (日本美術刀剣保存協会, 'The Society for Preservation of Japanese Art Swords', NBTHK) is a public interest incorporated foundation established in February 1948 to preserve and promote Japanese swords that have artistic value. They run a Japanese Sword Museum in Tokyo and have a secretariat in the ...
Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan beginning in the sixth century for forging traditionally made bladed weapons [1] [2] including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, nodachi, ōdachi, kodachi, and ya.
The term "National Treasure" has been used in Japan to denote cultural properties since 1897, [1] [2] although the definition and the criteria have changed since the introduction of the term. The swords and sword mountings in the list adhere to the current definition, and have been designated national treasures according to the Law for the ...
In modern times the most commonly known type of Japanese sword is the Shinogi-Zukuri katana, which is a single-edged and usually curved sabre traditionally worn by samurai from the 15th century onwards. [15] Western historians have said that Japanese katana were among the finest cutting weapons in world military history, for their intended use.
The word katana first appears in Japanese in the Nihon Shoki of 720. The term is a compound of kata ("one side, one-sided") + na ("blade"), [6] [7] [8] in contrast to the double-sided tsurugi. The katana belongs to the nihontō family of swords, and is distinguished by a blade length (nagasa) of more than 2 shaku, approximately 60 cm (24 in). [9]
Perhaps one of the most famed Kotetsu blades was a fake: that of Kondō Isami, the commander of the late Edo-era patrol force called Shinsengumi.However, this sword was not a Kotetsu, but instead a sword made by the foremost smith of that era (known in Japanese swordmaking history as the shinshin-to era), Minamoto Kiyomaro, and bearing a forged Kotetsu signature made by master signature-faker ...