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You look at events in the mind and the senses with no thought of whether there's anything lying behind them. This mode is called emptiness because it's empty of the presuppositions we usually add to experience to make sense of it: the stories and world-views we fashion to explain who we are and the world we live in.
The Man'yōshū is widely regarded as being a particularly unique Japanese work, though its poems and passages did not differ starkly from its contemporaneous (for Yakamochi's time) scholarly standard of Chinese literature and poetics; many entries of the Man'yōshū have a continental tone, earlier poems having Confucian or Taoist themes and ...
Over time, the people across the Japan came to identify utamakura place names by the psychological feelings associated with the references made by the wandering priests. After utamakura place names and people had become well established, eager waka poets went sightseeing to the sites of utamakura. Beyond becoming familiar with the scenery of ...
Urabe Kenkō (卜部 兼好, 1283–1350), also known as Yoshida Kenkō (吉田 兼好), or simply Kenkō (兼好), was a Japanese author and Buddhist monk. His most famous work is Tsurezuregusa (Essays in Idleness), [1] one of the most studied works of medieval Japanese literature. Kenko wrote during the early Muromachi and late Kamakura periods.
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
Magokoro (真心), (まごころ) also sometimes archaically rendered as makokoro (まこころ) without the "impurity" of rendaku, is a principle known in Japanese kokugaku related in particular to the origin of the country, [1] the Yamato-damashii (大和魂). [2] It has also been described in Japanese literature.
The Shoku Nihongi (797 AD) is an early history of Japan compiled in 797. A section of the book covering the year 723 is notable [citation needed] for an early [citation needed] use of the term "bushi" in Japanese [citation needed] literature and a reference to the educated warrior-poet ideal:to create a folktale
In commemoration of the 300th anniversary of Kikaku's death, Nobuyuki Yuasa led an international bilingual (Japanese and English) renku, or collaborative linked poem, which opened with the following hokku by Kikaku: [4] 鐘ひとつ賣れぬ日はなし江戸の春 Springtime in Edo, Not a day passes without A temple bell sold.