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The traditional dress for men and women [59] is called djellaba (جلابة); a long, loose, hooded garment with full sleeves. The djellaba has a hood that comes to a point called a qob . The qob protects the wearer from the sun or in colder climates, like the mountains, the qob keeps in body heat and protects the face from falling snow.
Men often wear a light-coloured djellaba sometimes along with a traditional Arab red fez hat and soft yellow babouche slippers (balgha in Arabic) for religious celebrations and weddings. Almost all djellabas of both styles (male or female) include a baggy hood called a qob (Arabic: قب) that comes to a point at the back.
As in Morocco, the gandora and djellaba is also worn by West African men, especially in domestic settings or for in-home prayers. [citation needed] The traditional women's attire is the wrapper, with hijab (worn as a turban or turban with additional scarf covering the sides of the head. [citation needed]
If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress. Traditional clothing often has two forms: everyday wear, and formal wear. The word "costume" in this context is sometimes considered pejorative, as the word has more than one meaning, and thus "clothing", "dress", "attire" or "regalia" can be ...
Modern interpretations of traditional Moroccan clothing, particularly the takchita, kaftan and djellaba are exhibited at the annual Caftan fashion show in Morocco and hosted by the Moroccan fashion magazine Femmes du Maroc. Hillary Clinton wore a takshita at a state dinner for the king of Morocco in 2000. [2] [3]
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In West Africa, a kaftan is a pullover robe, worn by both men and women. The women's robe is called a kaftan, and the men's garment is referred to as a Senegalese kaftan. A Senegalese kaftan is a pullover men's robe with long bell-like sleeves. In the Wolof language, this robe is called a mbubb and in French, it is called a boubou.
Jean Besancenot, (French pronunciation: [ʒã bɘzãsɘ.no]; 24 September 1902 – 27 July 1992), born as Jean Girard, was a French painter, documentary photographer, and self-trained ethnographer, active mainly during the 1930s and 1940s in the French protectorate in Morocco.