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Michael Card (born April 11, 1957) is an American Christian singer-songwriter, musician, author, and radio host from Franklin, Tennessee.He is best known for his contributions in contemporary Christian music, which combine folk-style melodies and instrumentation with an in-depth study of the Bible.
"Down by the Riverside" (also known as "Ain't Gonna Study War No More" and "Gonna lay down my burden") is an African-American spiritual.Its roots date back to before the American Civil War, [1] though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. [2]
By and By, also known as "We'll Understand It Better By and By" is a song by Charles Albert Tindley. Composed in 1905, it is a 3-versed hymn that pairs with the tune of the same name. Composed in 1905, it is a 3-versed hymn that pairs with the tune of the same name.
Music Inspired by The Story is a 2011 compilation album of songs by various contemporary Christian music artists. [5] The songs were inspired by scripture passages found in the Bible; it is included in a series with books by Max Lucado and Randy Frazee. [5] The album was named the Special Event Album of the Year at the 43rd GMA Dove Awards. [6]
Southern gospel music is a genre of Christian music.Its name comes from its origins in the southeastern United States.Its lyrics are written to express either personal or a communal faith regarding biblical teachings and Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music.
The answers Christ gives to his demonic tempter in the wilderness point to the higher reality of scripture, faith, and one’s relationship with Christ.
Matthew 4:6 is the sixth verse of the fourth chapter of the Gospel of Matthew in the New Testament. Jesus has just rebuffed "the tempter's" first temptation; in this verse, the devil presents Jesus with a second temptation while they are standing on the pinnacle of the temple in the "holy city" ().
A posthumous New Songs of Paradise, No. 6 in 1941 was the first collection to bring together all 46 of Tindley's published hymns, though in some cases stanzas that had previously been published were left out. Beams of Heaven: Hymns of Charles Albert Tindley (1851-1933) (2006) restores the full original complement of verses. [14]