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The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
The 'Turbo RAT' pedal uses red LEDs for this purpose (red LEDs have about a twice as high forward voltage as the original silicon diodes), while the 'You Dirty RAT' pedal uses 1N34A germanium diodes (clipping at a much lower forward voltage). [5] [6] The distortion stage is followed by a passive "reverse" tone filter and volume control.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave , resulting in a heavily distorted or fuzzy sound.
A deluxe bass version based on the 2008 Bass Big Muff Pi. This pedal has dry blend, noise gate, high pass filter and low pass filter controls. It confains an XLR DI, and buffered dry and effect outputs. Nano Big Muff Pi 2013 - Present Available Nano-sized version of the 2000 NYC Reissue, powered by 9V. Deluxe Big Muff Pi 2014 - Present Available
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.