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Tubular bells (also known as chimes) are musical instruments in the percussion family. [1] Their sound resembles that of church bells , carillons , or a bell tower ; the original tubular bells were made to duplicate the sound of church bells within an ensemble. [ 2 ]
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Tubular Bells 2003 is the 22nd studio album by English musician Mike Oldfield, ... where Oldfield used MIDI to create a tempo and time signature map; some sections of ...
The Complete Tubular Bells is a compilation album that comprises the three main releases under the name of Tubular Bells by Mike Oldfield, released in 2003 alongside Tubular Bells 2003. This box set includes Tubular Bells 2003 (a re-recording of the original Tubular Bells), Tubular Bells II and Tubular Bells III. A bonus DVD is also included ...
"Mike Oldfield's Single (Theme from Tubular Bells)" is the debut single by the English musician Mike Oldfield, released in 1974. The A-side is a variation of one of the themes from Oldfield's 1973 debut album, Tubular Bells , and was made in response to an American single containing an excerpt from Tubular Bells which Oldfield did not authorise.
Music with no time signature can not be said to have an unusual time signature as they have none at all. Sure, they fit the unusual part, but not the time signature. Definitely, create a page for music with no time signature (you could link it to this one and vice versa) but don't put them here. Watto the jazzman 06:13, 20 April 2007 (UTC)
Although the song has several different changes in time signature, this alternating time is what comprises most of the song). ... (1973) "Tubular Bells" by Mike ...
The bells are usually tuned to a diatonic scale without chromatic notes; they are traditionally numbered from the top downwards so that the highest bell (called the treble) is numbered 1 and the lowest bell (the tenor) has the highest number; it is usually the tonic note of the bells' scale.