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Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
The processing fluency theory of aesthetic pleasure emphasizes the interaction between the viewer and an object in that it integrates theories and a wide range of empirical evidence that focus on effects of objective stimulus attributes on perceived beauty [5] with those that emphasize the role of experience, for example by invoking ...
In contemporary literature kama is often used to connote sexual desire and emotional longing, [3] [4] [6] but the ancient concept is more expansive, and broadly refers to any desire, wish, passion, pleasure, or enjoyment of art and beauty, the aesthetic, enjoyment of life, affection, love and connection, and enjoyment of love with or without ...
[5] [8] [6] These terms are used in overlapping ways, but their meanings tend to come apart in technical contexts like philosophy or psychology. Pleasure refers to a certain type of experience while well-being is about what is good for a person. [9] [6] Many philosophers agree that pleasure is good for a person and therefore is a form of well ...
Eroticism (from Ancient Greek ἔρως (érōs) 'love, desire' and -ism) is a quality that causes sexual feelings, [1] as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love.
The Peacock Room, designed in the Anglo-Japanese style by James Abbott McNeill Whistler and Edward Godwin, one of the most famous and comprehensive examples of Aesthetic interior design Aestheticism (also known as the aesthetic movement ) was an art movement in the late 19th century that valued the appearance of literature , music , fonts and ...
As explained by psychoanalyst Jacques Lacan, Sigmund Freud used the term scopophilia to describe, analyze, and explain the concept of Schaulust, the pleasure in looking, [2] a curiosity which he considered a partial-instinct innate to the childhood process of forming a personality; [3] and that such a pleasure-instinct might be sublimated, either into Aesthetics, looking at objets d'art or ...
Unity and variety, as partial opposites, are both contributing to the aesthetic pleasure. Variety characterizes the quantity and scale of perceived differences encountered. [ 3 ] Humans seek the variety (that carries a promise of learning) to avoid the state of boredom , yet too much variety is perceived as chaos.