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  2. One Bad Apple - Wikipedia

    en.wikipedia.org/wiki/One_Bad_Apple

    "One Bad Apple" is a song by the Osmonds, released as a single on November 14, 1970. It debuted on the Billboard Hot 100 on January 2, 1971. It hit the top of the chart on February 13, 1971 and stayed there for five weeks. It also reached No. 6 on the R&B chart. [2]

  3. Donny Osmond on How 'One Bad Apple' Propelled The ... - AOL

    www.aol.com/donny-osmond-one-bad-apple-192742688...

    " 'One Bad Apple,' our first No. 1 record, was written for the Jackson 5 and they turned it down, from what I understand," he shared. "We got the song and we got the number one record.

  4. Osmonds (album) - Wikipedia

    en.wikipedia.org/wiki/Osmonds_(album)

    Osmonds is the third album released by the Osmonds, the first under MGM as the Osmonds and the first to feature lead vocal roles from Donny.The first single from the album, "One Bad Apple", became a number-one hit according to the Billboard Hot 100 singles chart. [1]

  5. Wicki–Hayden note layout - Wikipedia

    en.wikipedia.org/wiki/Wicki–Hayden_note_layout

    Notes of each major scale are stacked on top of each other (in alternating rows of three and four notes), putting them closer together. The Wicki–Hayden note layout is a compact and logical musical keyboard layout designed for concertinas and bandoneons.

  6. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  7. List of jazz tunes - Wikipedia

    en.wikipedia.org/wiki/List_of_jazz_tunes

    This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.