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In 1936, Arrau gave a complete Mozart keyboard works over 5 recitals, and followed with the complete Schubert and Weber cycles. In 1938, for the first time, Arrau gave the complete Beethoven piano sonatas and concertos in Mexico City. Arrau repeated this several times in his lifetime, including in New York and London.
Maurizio Pollini for Beethoven: The Late Piano Sonatas; Charles Rosen for Beethoven: Variations on a Waltz by Diabelli; Paul Jacobs for Debussy: Preludes for Piano, Books I and II; Claudio Arrau for Liszt: 12 Transcendental Etudes and 3 Etudes de Concert; Rudolf Serkin for Rudolf Serkin of Television
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
As part of complete recordings of the Beethoven piano sonatas, Op. 110 was recorded by Wilhelm Kempff in 1951, [64] Claudio Arrau in 1965, [65] Alfred Brendel in 1973, [66] Maurizio Pollini in 1975, [67] Daniel Barenboim in 1984, [68] and Igor Levit in 2019.
The late piano sonatas of Ludwig van Beethoven usually refer to the last five piano sonatas the composer composed during his late period. Piano Sonata No. 28 in A major, Op. 101; Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier" Piano Sonata No. 30 in E major, Op. 109; Piano Sonata No. 31 in A-flat major, Op. 110
Beethoven regarded it as the best of his early sonatas, though some of its companions in the cycle have been at least as popular with the public. [ 1 ] Prominent musicologist Donald Francis Tovey has called this work the crowning achievement and culmination of Beethoven's early "grand" piano sonatas (the "grand" modifier was applied by ...