Search results
Results From The WOW.Com Content Network
Agnus Dei (1981) Polish Requiem (1980–84, revised and expanded 1993, expanded 2005 after Pope John Paul II's death) Song of the Cherubim (1986) Veni creator (1987) Benedicamus Domino (1992) Benedictus (1993) Agnus Dei (1995, for the Requiem of Reconciliation) De Profundis (1996) Hymne an den heiligen Daniel (1997) Hymne an den heiligen ...
Agnus Dei, qui tollis peccata mundi: dona eis requiem. Agnus Dei, qui tollis peccata mundi: dona eis requiem sempiternam. Lamb of God , Who takest away the sins of the world, grant them rest.
Agnus Dei (Lamb of God) is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei , a part of the Mass , for mixed chorus with optional organ or piano accompaniment.
Agnus Dei is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that ...
The text of "Dona nobis pacem" is a short prayer for peace from the Agnus Dei of the Latin mass. [1] [2] [3] In the round for three parts, it is sung twice in every line. [4] The melody has been passed orally. [4] It has traditionally been attributed to Mozart but without evidence. [1] English-language hymnals usually mark it "Traditional". [5]
The music is the setting for Barber's 1967 choral arrangement of Agnus Dei. It has been called "America's semi-official music for mourning." Adagio for Strings has been featured in many TV and movie soundtracks.
"Christe, du Lamm Gottes" (lit. "Christ, you Lamb of God") is a Lutheran hymn, often referred to as the German Agnus Dei. Martin Luther wrote the words of the hymn as a translation of the Latin Agnus Dei from the liturgy of the mass.
Agnus Dei "Agnus Dei", in many settings of Mass and Requiem set with dark expression, begins in F major with a fluent expansive melody in the orchestra. After six measures, the tenors sing a melody to it that gently rises and falls, and repeats it almost the same way.