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Both the literal worship of an inanimate object and latria, or sacrificial worship to something or someone that is not God, are forbidden; yet such are not the basis for Catholic worship. The Catholic knows "that in images there is no divinity or virtue on account of which they are to be worshipped, that no petitions can be addressed to them ...
Made and painted by Lucas Cranach the Elder, the painting depicts Jesus Christ with children, based on the New Testament verse "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14); a popular subject of Protestant iconography in line with the Lutheran teachings of Sola gratia and Sola Fide; salvation by grace through faith, a theme ...
Christ blessing the Children by Lucas Cranach the Younger. The Kingdom of Heaven is compared to little children at other places in the New Testament: Matthew 19:13–15. Then were there brought unto him little children, that he should put his hands on them, and pray: and the disciples rebuked them.
The work's alternative title, "Suffer the little children to come unto me" is based on a passage from the gospel of Matthew in which Jesus was instructing his disciples through the example of children. The painting is part of the artist's body of religious work, which is less well-known than her depictions of strong women.
“Watching your daughter being collected by her date feels like handing over a million dollar Stradivarius to a gorilla.” — Jim Bishop “It is admirable for a man to take his son fishing ...
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
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Christ was arrived to free both from their burdens. Mary is only shown when the scene is the Adoration of the Magi , but often one of the shepherds, or a prophet with a scroll , is present. From the end of the 5th century (following the Council of Ephesus ), Mary becomes a fixture in the scene; then as later Joseph is a more variable element.