Ads
related to: lounge lizards band
Search results
Results From The WOW.Com Content Network
"The Lizards' music isn't jazz," said Fred Bouchard of JazzTimes, "but it is intelligent and rhythmically and harmonically interesting (it ain't rock either, in other words) and, despite the ultra-hip trappings, it has an almost innocent directness that can transcend stylistic prejudice." [5] The Lounge Lizards have been inactive since about 2000.
John Lurie (born December 14, 1952) is an American musician, painter, actor, director, and producer. He co-founded the Lounge Lizards jazz ensemble; has acted in 19 films, including Stranger than Paradise and Down by Law; has composed and performed music for 20 television and film works; and he produced, directed, and starred in the Fishing with John television series.
Queen of All Ears is the fourth and final studio album [2] by the American band the Lounge Lizards, released in 1998. [3] [4] "The First and Royal Queen" was used at the end of episodes of Painting with John. [5] The band supported the album with an international tour. [6]
The Lounge Lizards is the first album by the Lounge Lizards. It features hectic instrumental jazz. The songs are mostly composed by band leader and saxophone player John Lurie. [2] The album artwork was designed by the English graphic designer Peter Saville.
Members of the American avant-garde jazz band The Lounge Lizards. Pages in category "The Lounge Lizards members" The following 23 pages are in this category, out of 23 total.
After the Covid-19 lockdown was lifted in New York City, Blake assembled a new group of musicians from Brazil, USA and Canada called Chroma Nova and recorded the music. [41] Blake rejoined his Lounge Lizards colleagues in 2021 and 2022 to record new music for John Lurie's TV Series Painting with John on HBO.
Voice of Chunk is the third studio album by jazz band the Lounge Lizards, released in 1988.. The album was produced independently by bandleader John Lurie, following two releases with Island Records.
[11] The Windsor Star wrote that the Lounge Lizards "sound as if their music is written by a contemporary Kurt Weill for a Fellini movie without them ever taking their tongues out of their cheeks." [ 10 ] The Christian Science Monitor deemed No Pain for Cakes "zany weirdness and outrageous eclecticism—avant pop/jazz/rock."