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A different take on Darwinism is the idea, popular from the 1950s onwards, that humans will evolve more or less godlike mental capacity, as in Arthur C. Clarke's 1950 Childhood's End and Brian Aldiss's 1959 Galaxies Like Grains of Sand. Another science fiction theme is the replacement of humanity on Earth by other species or intelligent machines.
Speculative evolution is often considered hard science fiction because of its strong connection to and basis in science, particularly biology. [ 4 ] Speculative evolution is a long-standing trope within science fiction, often recognized as beginning as such with H. G. Wells 's 1895 novel The Time Machine , which featured several imaginary ...
Interest in the relationship between Darwinism and the study of literature began in the nineteenth century, for example, among Italian literary critics. [2] For example, Ugo Angelo Canello argued that literature was the history of the human psyche, and as such, played a part in the struggle for natural selection, while Francesco de Sanctis argued that Emile Zola "brought the concepts of ...
In the final moments of the satellite's destruction and the escape of the crew members of the Enterprise with the patients, the subjects display qualities inherently resembling the Borg: injection of nanomachines in a fashion similar to assimilation, rapid adaptation to weaponry, and a hive mind consciousness, as all the subjects begin ...
Adaptation is related to biological fitness, which governs the rate of evolution as measured by changes in allele frequencies. Often, two or more species co-adapt and co-evolve as they develop adaptations that interlock with those of the other species, such as with flowering plants and pollinating insects.
Adaptationism is an approach to studying the evolution of form and function. It attempts to frame the existence and persistence of traits, assuming that each of them arose independently and improved the reproductive success of the organism's ancestors.
Boris Karloff in James Whale's 1931 film Frankenstein, based on Mary Shelley's 1818 novel.The monster is created by an unorthodox biology experiment.. Biology appears in fiction, especially but not only in science fiction, both in the shape of real aspects of the science, used as themes or plot devices, and in the form of fictional elements, whether fictional extensions or applications of ...
American science fiction author and editor Lester del Rey wrote, "Even the devoted aficionado or fan—has a hard time trying to explain what science fiction is," and the lack of a "full satisfactory definition" is because "there are no easily delineated limits to science fiction." [3] Another definition comes from The Literature Book by DK and ...