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In digital and analog audio, headroom refers to the amount by which the signal-handling capabilities of an audio system can exceed a designated nominal level. [1] Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the nominal level without damaging the system or the audio signal, e.g., via clipping.
Headroom, meanwhile, has increased by 0.4 inch up front, but it's down 0.8 inch in the second row. ... The 4Runner variants with the bigger screen also pack a 14-speaker JBL sound system, although ...
Headroom refers to the amount by which the signal-handling capabilities of an audio system exceed a designated nominal level. [11] Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the nominal level without damaging the system or the audio signal, e.g., via clipping. Standards bodies differ in their ...
The modular system was Avid's first live console to be built on an Ethernet AVB architecture that connects the S3 control surface, up to four Stage 16 I/O racks, and the E3 Engine over Cat5e cables. The system can support up to 64 inputs and was the first VENUE system to enable the sharing of I/O between systems over the Ethernet AVB network. [6]
Alpine was one of the first in the industry to introduce in-vehicle iPod devices to allow users to control iPod playback using the head unit's front panel buttons or remote; view song information (artist, album and/or song name) on the display; and easily search for songs through the receiver's Quick Search interface.
The Dimensia system came with a very large and advanced universal remote, called Dimensia Intelligent Audio Video or Dimensia Digital Control, variations of the Digital Command Center. The capabilities of this remote were far more advanced than many (perhaps any) other remotes at that time.