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Morphology in architecture is the study of the evolution of form within the built environment. Often used in reference to a particular vernacular language of building, this concept describes changes in the formal syntax of buildings and cities as their relationship to people evolves and changes.
Balance: In its artistic sense, balance is the feeling of the layout being evenly distributed across the page. It is analogous to the physics sense of balance , in which each of the page elements can be thought of as having weight (virtually identical to its weight in the visual hierarchy), and the "torque" created by each weight and its ...
John Edward Marr in his The Scientific Study of Scenery [23] considered his book as, 'an Introductory Treatise on Geomorphology, a subject which has sprung from the union of Geology and Geography'. An early popular geomorphic model was the geographical cycle or cycle of erosion model of broad-scale landscape evolution developed by William ...
Therefore, it was seen as related to architecture and civil engineering, and thereby to be carried out by such experts. [8] This kind of planning was physicalist and design-orientated, and involved the production of masterplans and blueprints which would show precisely what the 'end-state' of land use should be, similar to architectural and ...
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...
Geography is an all-encompassing discipline that seeks an understanding of Earth and its human and natural complexities—not merely where objects are, but also how they have changed and come to be. While geography is specific to Earth, many concepts can be applied more broadly to other celestial bodies in the field of planetary science. [2]
Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". [20] For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned".
It is a component of architecture and building engineering and is sometimes viewed as a distinct discipline or sub-category. Blueprint - an obsolete paper-based method of reproducing technical drawings producing a distinctive appearance, white lines on a blue background. The word is still in use as a by-word for a design solution ("a blueprint ...