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The Shakespeare canon is generally defined by the 36 plays published in the First Folio (1623), some of which are thought to be collaborations or to have been edited by others, and two co-authored plays, Pericles, Prince of Tyre (1609) and The Two Noble Kinsmen (1634); two classical narrative poems, Venus and Adonis (1593) and The Rape of Lucrece (1594); a collection of 154 sonnets and "A ...
Mainstream Shakespeare scholars maintain that biographical interpretations of literature are unreliable for attributing authorship, [10] and that the convergence of documentary evidence for Shakespeare's authorship—title pages, testimony by other contemporary poets and historians and official records—is the same as that for any other author ...
Shakespeare attribution studies; Shakespeare After All; Shakespeare Association of America; Shakespeare Bulletin; Shakespeare Club of Stratford-upon-Avon; Shakespeare Institute; Shakespeare Quarterly; The Shakespeare Wars; The Shakespeare Yearbook; Shakespeare: The Critical Heritage; Shakespeare: The Invention of the Human; Shakespeare's Ghost ...
In some cases the identity of the collaborator is known; in other cases there is a scholarly consensus; in others it is unknown or disputed. These debates are the province of Shakespeare attribution studies. Most collaborations occurred at the very beginning and the very end of Shakespeare's career.
Portrait miniature of an unknown woman, possibly Emilia Lanier Bassano, c. 1590, by Nicholas Hilliard [1]. The Emilia Lanier theory of Shakespeare authorship contends that the English poet Emilia Lanier (née Aemilia Bassano; 1569–1645) is the actual author of at least part of the plays and poems attributed to William Shakespeare.
The convergence of documentary evidence of the type used by academics for authorial attribution – title pages, testimony by other contemporary poets and historians, and official records – sufficiently establishes Shakespeare's authorship for the overwhelming majority of Shakespeare scholars and literary historians, [6] and no such ...
In August 1819 an anonymous writer for The Monthly Review, or Literary Journal suggested that 'Christopher Marlowe' might be a pseudonym assumed for a time by Shakespeare, [12] and this idea was developed further in the same journal in September 1820, [13] noting how Shakespeare "disappears from all biographical research just at the moment when Marlowe first comes on the stage; and who re ...
It comprised a study of 1,043 marked passages found in de Vere's Geneva Bible, which is now owned by the Folger Shakespeare Library. Stritmatter claimed to find that 246 of those (23.6 percent) appear in Shakespeare's works as a theme, an allusion, or a quotation, [6] which is presented as evidence for the Oxfordian theory. [7]