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The Columbus Museum of Art (CMA) is an art museum in downtown Columbus, Ohio. Formed in 1878 as the Columbus Gallery of Fine Arts (its name until 1978), [3] it was the first art museum to register its charter with the state of Ohio. The museum collects and exhibits American and European modern and contemporary art, folk art, glass art, and ...
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
Landscape (Landscape with Tree Trunks) 1828 Oil on canvas 66.4 by 81.9 centimetres (26.1 in × 32.2 in) Rhode Island School of Design Museum of Art, Rhode Island [42] The Garden of Eden: 1828 Oil on canvas 38.5 by 52.8 centimetres (15.2 in × 20.8 in) Amon Carter Museum of American Art, Texas [43] View on Lake Winnipiseogee: 1828 Oil on panel
Rosen's landscapes were extremely varied. Sometimes they were spontaneous, thrown off quickly, and sometimes carefully worked. Some paintings were full of movement and others were serenely calm. Some are almost monochrome while some explode with color. [4] In 1914 Rosen made the first of several visits to Vinalhaven Island on the coast of Maine ...
Topiary Park is a 9.2-acre (3.7 ha) public park and garden in Columbus, Ohio's Discovery District.The park's topiary garden, officially the Topiary Garden at Old Deaf School Park, is designed to depict figures from Georges Seurat's 1884 painting, A Sunday Afternoon on the Island of La Grande Jatte.
This is a list of the National Register of Historic Places entries in Columbus, Ohio, United States.The National Register is a federal register for buildings, structures, and sites of historic significance.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
The view Cole sought to paint was a particularly difficult one, as its panoramic breadth extended beyond the width of typical landscape paintings of the period. [1] To solve this problem, Cole stitched together two separate views from Mt. Holyoke, creating a synthetic, rather than a faithful, image of the scene. [ 7 ]